The Devil Wears Prada (2006)

Cast & Crew

David Frankel

Director

Meryl Streep

Miranda Priestly

Anne Hathaway

Andy Sachs

Emily Blunt

Emily

Stanley Tucci

Nigel

Simon Baker

Christian Thompson

Videos

The Devil Wears Prada (2006)

The Devil Wears Prada (2006): Video 1

Who’s the real villain in THE DEVIL WEARS PRADA featuring Broey Deschanel

Miranda Priestly Educates Andy About Her Cerulean Sweater

Andy Sachs Gets A Makeover

Andy Sachs Asks Miranda Priestly About The Future

Trailer #1

Trailer

Photos

The Devil Wears Prada (2006)

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Where To Watch

The Devil Wears Prada (2006)

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Watch The Devil Wears Prada (2006) on Prime Video, Hulu, Disney+, Max, Apple TV+, Amazon, Fandango, Google Play, and YouTube.

Content Rating Guide

The Devil Wears Prada (2006)

Note on Sexual & Romantic Content

This title contains sexual and romantic content that some viewers may find inappropriate. We encourage discernment.

While there are no explicit references to Christ or the Gospel, the film functions as a modern-day parable regarding the warning to not “gain the whole world and lose your soul” (Mark 8:36). Andy’s arc mirrors a “de-sanctification” process, where she is conformed to the pattern of this world rather than being transformed by the renewal of her mind. The movie captures the reality of idolatry, showing how a career can become a false god that demands total sacrifice, including one’s character and community.
For the Christian viewer, the film prompts a necessary self-examination: “What am I willing to compromise for success?” It highlights the need for a firm foundation in Christ to resist the “lust of the eyes and the pride of life” (1 John 2:16) that the fashion world represents. While the film ends with a move toward integrity, it lacks the redemptive framework of grace, reminding us that while “doing the right thing” is a moral good, true restoration only comes through the Creator who defines our identity.
Andy’s arc mirrors a “de-sanctification” process, where she is conformed to the pattern of this world rather than being transformed by the renewal of her mind.

The film is deeply rooted in secular humanism and a materialistic worldview where self-actualization and career achievement are presented as the ultimate ends. The fashion industry is depicted as a high priesthood of aesthetic perfection, where “truth” is dictated by those with power and influence. There is a strong current of moral relativism throughout the middle of the film; the “sacrifices” Andy makes—lying to her loved ones and betraying a colleague—are framed as necessary evils for professional survival.
The resolution leans into a “follow your heart” philosophy. Andy’s ultimate redemption is self-authored; she realizes she does not like the person she has become and chooses to walk away based on her own internal compass. While this aligns with general moral goodness, it reinforces the secular idea that humans are the sole architects of their own moral recovery, independent of divine law or the need for a Savior to rectify the heart’s inclinations.
The fashion industry is depicted as a high priesthood of aesthetic perfection, where “truth” is dictated by those with power and influence.

The film contains several instances of passionate kissing and suggestive situations. Andy is shown in a long-term romantic relationship where she and her boyfriend are seen in bed together, implying a cohabiting or sexually active relationship, though no nudity is shown. Later, while in Paris, Andy has a one-night stand with a writer she admires; the scene shows them kissing and implies they spend the night together.
Because the setting is the high-fashion industry, characters frequently wear revealing or tight-fitting clothing, including lingerie-style tops, short skirts, and low-cut gowns. There is also frequent dialogue regarding “sex appeal” and body image, though these elements are handled within the context of the industry’s obsession with aesthetics rather than being gratuitously pornographic.
Andy is shown in a long-term romantic relationship where she and her boyfriend are seen in bed together, implying a cohabiting or sexually active relationship, though no nudity is shown.

Physical violence is virtually non-existent in this corporate drama. The “violence” depicted is primarily psychological and emotional, manifested through Miranda’s verbal deconstruction of her subordinates and the high-stress environment of the office. There are no scenes of physical combat, blood, or graphic injury.
One scene involves a minor car accident (a fender bender) that is used to heighten narrative tension but results in no visible injuries to the characters. The film focuses on the sharp edges of words and the coldness of social exclusion rather than physical weapons or harm.
Physical violence is virtually non-existent in this corporate drama.

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Audience Reviews

Commentable Scenes

Miranda Priestly Educates Andy About Her Cerulean Sweater

Andy Sachs Gets A Makeover

Andy Sachs Asks Miranda Priestly About The Future

Rating Distribution

Cast & Crew

Videos

The Devil Wears Prada (2006): Video 1

Who’s the real villain in THE DEVIL WEARS PRADA featuring Broey Deschanel

Miranda Priestly Educates Andy About Her Cerulean Sweater

Andy Sachs Gets A Makeover

Andy Sachs Asks Miranda Priestly About The Future

Trailer #1

Trailer

Photos

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