Sabina: Tortured for Christ, the Nazi Years (2021)

Cast & Crew

John Grooters

Director

Raluca Botez

Sabina Wurmbrand

Emil Măndănac

Richard Wurmbrand

Gabriel Costin

Borila

Adrian Titieni

Uncle Jakob

Șerban Pavlu

Captain Dieter

Videos

Sabina: Tortured for Christ, the Nazi Years (2021)

Sabina: Tortured for Christ, the Nazi Years (2021): Video 1

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Sabina: Tortured for Christ, the Nazi Years (2021)

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Where To Watch

Sabina: Tortured for Christ, the Nazi Years (2021)

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Prime Video

Apple TV+

Angel Studios

Pure Flix

Watch Sabina: Tortured for Christ, the Nazi Years (2021) on Prime Video, Apple TV+, Angel Studios, and Pure Flix.

Content Rating Guide

Sabina: Tortured for Christ, the Nazi Years (2021)

Theologically, Sabina is a masterclass in the doctrine of sanctification and the radical nature of Christian agape love. The film doesn’t just depict religious activity; it illustrates the “new birth” (John 3:3) as Sabina moves from a self-centered atheism to a Christ-centered life. Her transformation is presented not as a self-improvement project, but as a total reorientation of her soul toward the Cross. This is most poignantly seen in her struggle to forgive; the film rightly identifies that such forgiveness is a supernatural work of the Holy Spirit rather than a human effort. It echoes the Matthean call to love enemies, providing a searing visual of what it looks like to treat an oppressor as a soul in need of redemption rather than an object of vengeance.
Furthermore, the movie serves as a profound meditation on the “theology of the cross” versus a “theology of glory.” Sabina and Richard do not expect an easy life; they embrace the “cost of discipleship” that Dietrich Bonhoeffer famously articulated. For adult believers, the film challenges the modern tendency toward comfort-seeking, pointing instead to the Great Commission as an all-consuming vocation. It illustrates that the Gospel is not merely a ticket to heaven, but a transformative power that compels the believer to enter into the suffering of others, reflecting Christ’s own incarnation and sacrifice.
The film doesn’t just depict religious activity; it illustrates the “new birth” (John 3:3) as Sabina moves from a self-centered atheism to a Christ-centered life.

The film begins by portraying Sabina’s early life within a secular, hedonistic framework common among the European elite of the 1930s. This worldview is characterized by a “live for today” mentality, where beauty, status, and pleasure are the highest goods. However, the film presents this not as a viable alternative, but as a hollow precursor to her spiritual awakening. The Nazi ideology is also present as a dark, pagan, and ethno-nationalist worldview that stands in direct opposition to the universal offer of the Gospel.
While the film acknowledges Sabina’s Jewish roots, it treats her conversion to Christianity as the fulfillment of her spiritual longing rather than a rejection of her heritage. The secularism of her peers is depicted matter-of-factly to provide contrast to the light of the Gospel. There is no attempt to validate moral relativism; instead, the film leans heavily on the objective truth of God’s Word as the only anchor capable of holding steady amidst the chaos of war and the depravity of the Holocaust.
This worldview is characterized by a “live for today” mentality, where beauty, status, and pleasure are the highest goods.

Sexual and Romantic ContentNone

Because the film deals with the Nazi occupation and the Holocaust, the violence is sobering and intentional. There are scenes depicting the aftermath of massacres, the harsh reality of labor camps, and the physical brutality of soldiers against civilians. While the film avoids “slasher” tropes, it does not shy away from the blood and the visceral terror of the era. The camera captures the results of gunfire and physical assault, ensuring the viewer understands the high stakes of the Wurmbrands’ ministry.
The intensity is high, particularly in scenes involving the threat of execution or the discovery of murdered loved ones. This violence is not gratuitous; it serves a narrative and theological purpose by highlighting the depth of the darkness that the light of Christ must penetrate. Viewers should be prepared for moments of significant emotional weight and visual depictions of historical atrocities that, while necessary for the story’s integrity, are difficult to watch.
There are scenes depicting the aftermath of massacres, the harsh reality of labor camps, and the physical brutality of soldiers against civilians.

Sabina: Tortured for Christ, the Nazi Years (2021)

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Videos

Sabina: Tortured for Christ, the Nazi Years (2021): Video 1

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